jueves, 29 de julio de 2010
domingo, 25 de julio de 2010
Jovi en Lima
Bon Jovi tocará en Lima el 29 de setiembre
En 1989 se anunció a Bon Jovi en Lima. No hubo mucho revuelo entonces y no porque a nadie le importara, sino que flotaba en el ambiente un aire de incredulidad: eran tiempos difíciles, y cuando surgió la inevitable cancelación del recital, casi ni movimos las cejas. Era como si ya esperáramos tal desenlace. Los embates terroristas habían alejado la posibilidad de ver en vivo a los músicos de Nueva Jersey.
Felizmente, vivimos otros tiempos. Y ahora sí, lectores, rompan en gritos y celebren a lo grande: Bon Jovi tocará en Lima. En estas líneas confirmamos que el concierto de Jon Bon Jovi (voz), Richie Sambora (guitarra), Tico Torres (batería) y David Bryan (teclados) ocurrirá: será el miércoles 29 de setiembre, a las 9 de la noche, en el estadio de San Marcos. Desfoguen. Cóbrense la revancha. Y sí, empiecen la cola para las entradas, desde el sábado 7 de agosto, a las 11 de la mañana, en los módulos de Teleticket, a precios de entre 48 soles (sección I) y 570 soles (sección B).
Las razones para ver en vivo a Bon Jovi pueden ser muchas. Para algunos, es solo cuestión de disfrutar de sus canciones, de sus éxitos. Para otros, la posibilidad de apreciar el desenvolvimiento escénico del cuarteto, conocido por brindar efervescentes performances en directo. Será un concierto que puede equilibrar el factor nostalgia y la vigencia, aspectos que, sin duda, enriquecerán aun más lo que pinta, desde ya, como uno de los shows más grandes que nuestro país experimentará: el aterrizaje de un monstruo colosal que hará de esta ciudad un torbellino de sensaciones difíciles de describir.
BUENA MEDICINA
Si hay algo que Bon Jovi encarna es la facilidad (o habilidad) de crear melodías recordables, absolutas gemas pendulares entre el pop y el hard rock. Desde su primer y epónimo disco de 1984, con temas tan contundentes como "Runaway" o "Roulette", la banda ha sabido llegar no solo a las radios, sino también a los equipos de sonido, a los hogares; tanto al calor de hits como "You Give Love a Bad Name", "Bad Medicine", "Born to Be My Baby" o ese grito de estadio que es "It's My Life", como gracias a trabajos de menor relieve mediático pero de interesante contenido: un disco como "7800° Fahrenheit" (1985) merece total atención, una placa surgida de las cenizas de un amor roto en la vida real.
En fin, no vamos a descubrir aquí a Bon Jovi. Pero sí podremos empezar a escuchar de nuevo aquellas melodías que hicieron del grupo un fenómeno sideral. Grítelo otra vez
sábado, 24 de julio de 2010
Eva Ayllón : "QUE VIVA EL PERÚ SEÑORES"
' QUE VIVA EL PERÚ SEÑORES '
Desde que era niña aprendí a querer a esta tierra hermosa que me vio nacer y aprendí la historia de mi gran nación que llena de gloria nuestro corazón. Y aprendí, aprendí, aprendí, que el Perú es Machupicchu y es el Señor de Sipán como las líneas de nazca y las ruinas de Chán Chán, paracas Chavín de Huantar los Mochicas y los Chimues los Waris y Cusihuantas orgullos de mi Perú país de hombres y mujeres de irreductible valor del imperio de los incas y el grito libertador. 2 de mayo en ayacucho 2 de mayo en el callo Perú es Alfonso Ugarte, Bolognesi y Miguel Grau, que viva el Perú señores que viva la vida entera que vivan nuestros colores arriba nuestra bandera. Por que soy peruana yo vivo orgullosa de mi tierra hermosa de mi patria entera arriba mi costa y mi cordillera arriba la selva de todas maneras por que soy peruan yo vivo orgullosa de mi tierra hermosa de mi patria entera arriba mi costa y mi cordillera, arriba la selva de todas maneras, que viva el Perú señores… Viva el Perú País lleno de cantares que nacen del corazón trovadores y juglares que cantan con emoción, una voz, una guitarra y el golpe de un buen cajón es todo lo que hace falta y armamos el jaranón, señor que feliz me siento si escucho una marinera tonderos valses criollos cualquier canción de mi tierra Por que soy peruana yo vivo orgullosa de mi tierra hermosa de mi patria entera Arriba la selva de mi compañera, arriba la selva de todas maneras, por que soy peruana yo vivo orgullosa de mi tierra hermosa de mi patria entera arriba la costa y mi cordillera arriba la selva de todas maneras Que Viva el Perú Señores… Viva el Perú.
"There comes a point in your life when you realize who matters, who never did, who won't anymore, and who always will. So don't worry about people from your past, there's a reason they didn't make it to your future"
" Amor no es encontrar a alguien con quien vivir, amor es encontrar a alguien que tu sientas no puedes vivir sin el..."
lunes, 19 de julio de 2010
domingo, 18 de julio de 2010
sábado, 17 de julio de 2010
viernes, 16 de julio de 2010
] Bob Dylan - The 30th Anniversary Concert Celebration [Archivo adjunto 1]
CD1
01 - Like A Rolling Stone - (John Mellencamp)
02 - Leopard-Skin-Pill-Box-Hat - (John Mellencamp)
03 - Introduction By Kris Kristofferson - (Kris Kristofferson)
04 - Blowin' In The Wind - (Stevie Wonder)
05 - Foot Of Pride - (Lou Reed)
06 - Masters Of War - (Eddie Vedder, Mike McCready)
07 - The Times They Are A-Changin' - (Tracy Chapman)
08 - It Ain't Me Babe - (June Carter Cash, Johnny Cash)
09 - What Was It You Wanted - (Willie Nelson)
10 - I'll Be Your Baby Tonight - (Kris Kristofferson)
11 - Highway 61 Revisited - (Johnny Winter)
12 - Seven Days - (Ron Wood)
13 - Just Like A Woman - (Richie Havens)
14 - When The Ship Comes In - (The Clancy Brothers, Robbie O'Connell & Tommy Makem)
15 - You Ain't Goin' Nowwhere - (Mary-Chapin Carpenter, Rosanne Cash, Shawn Colvin)
CD2
01 - Just Like Tom Thumb's Blues - (Neil Young)
02 - All Along The Watchtower - (Neil Young)
03 - I Shall Be Released - (Chrissie Hynde)
04 - Don't Think Twice, It's All Right - (Eric Clapton)
05 - Emotionally Yours - (The O'Jays)
06 - When I Paint My Masterpeice - (The Band)
07 - Absolutely Sweet Marie - (George Harrison)
08 - License To Kill - (Tom Petty & The Heartbreakers)
09 - Rainy Day Women #12 & 35 - (Tom Petty & The Heartbreakers)
10 - Mr.Tambourine Man - (Roger McGuinn)
11 - It's Alright Ma (I'm Only Bleeding) - (Bob Dylan)
12 - My Back Pages - (Bob Dylan, Neil Young, Tom Petty, Roger McGuinn, Eric Clapton, George Harrison)
13 - Knockin' On Heaven's Door - (Everyone)
14 - Girl Of The North Country - (Bob Dylan)
Links de descarga:
Pass: By The Sacred Monster
Archivos adjuntos de Roxana M. Brandt
Foto 1 de 1
martes, 13 de julio de 2010
Little Crow - Got This Thing On The Move (Grand Funk Railroad)
Si quieres leer mas has click enhttp://promo74lasalle.blogspot.com/
Grand Funk Railroad - We're An American Band LIVE - 1974
Si quieres leer mas has click enhttp://promo74lasalle.blogspot.com/
Grand Funk Railroad - Jam & Hooked On Love - MSG 12/23/72
Si quieres leer mas has click enhttp://promo74lasalle.blogspot.com/
domingo, 11 de julio de 2010
cine y literatura: Sentido y sensibilidad (1995) Jane Austen / Ang Lee
http://cine-y-literatur.blogspot.com/2010/07/sentido-y-sensibilidad-1995.html?spref=fb
Film Ang LeeNovela Jane Austen
Capítulo ILa familia Dashwood llevaba largo tiempo
afincada en Sussex. Su propiedad era de buen tamaño, y en el centro de
ella se encontraba la residencia, Norland Park, donde la manera tan
digna en que habían vivido por muchas generaciones llegó a granjearles
el respeto de todos los conocidos del lugar. El último dueño de esta
propiedad había sido un hombre soltero, que alcanzó una muy avanzada
edad, y que durante gran parte de su existencia tuvo en su hermana una
fiel compañera y ama de casa. Pero la muerte de ella, ocurrida diez años
antes que la suya, produjo grandes alteraciones en su hogar. Para
compensar tal pérdida, invitó y recibió en su casa a la familia de su
sobrino, el señor Henry Dashwood, el legítimo heredero de la finca
Norland y la persona a quien se proponía dejarla en su testamento. En
compañía de su sobrino y sobrina, y de los hijos de ambos, la vida
transcurrió confortablemente para el anciano caballero. Su apego a todos
ellos fue creciendo con el "tiempo. La constante atención que el señor
Henry Dashwood y su esposa prestaban a sus deseos, nacida no del mero
interés sino de la bondad de sus corazones, hizo su vida confortable en
todo aquello que, por su edad, podía convenirle; y la alegría de los
niños añadía nuevos deleites a su existencia.De un matrimonio anterior, el señor Henry Dashwood tenía un
hijo; y de su esposa actual, tres hijas. El hijo, un joven serio y
respetable, tenía el futuro asegurado por la fortuna de su madre, que
era cuantiosa, y de cuya mitad había entrado en posesión al cumplir su
mayoría de edad. Además, su propio matrimonio, ocurrido poco después, lo
hizo más rico aún. Para él, entonces, el legado de la finca Norland no
era en verdad tan importante como para sus hermanas; pues ellas,
independientemente de lo que pudiera llegarles si su padre heredaba esa
propiedad, eran de fortuna que no puede considerarse sino escasa. Su
madre no tenía nada, y el padre sólo podía disponer de siete mil libras,
porque de la restante mitad de la fortuna de su primera esposa también
era beneficiario el hijo, y él sólo tenía derecho al usufructo de ese
patrimonio mientras viviera.
_________________________________________________________________
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sábado, 10 de julio de 2010
The Cars
The Cars
| The Cars | |
| The Cars, 1984. L-R: Benjamin Orr, Greg Hawkes, David Robinson, Ric Ocasek, and Elliot Easton. | |
The Cars were an American rock band that emerged from the early New Wave music scene in the late 1970s. The band consisted of singer and rhythm guitarist Ric Ocasek, singer and bassist Benjamin Orr, guitarist Elliot Easton, keyboardist Greg Hawkes and drummer David Robinson. The band originated from Boston, Massachusetts, and were signed to Elektra Records in 1977.[1]
The Cars were at the forefront in merging 1970s guitar-oriented rock with the new synth-oriented pop that was then becoming popular and which would flower in the early 1980s. Robert Palmer, music critic for The New York Times and Rolling Stone described The Cars' musical style by saying: "they have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend."[2]
The band broke up in 1988, and Ocasek has always discouraged talk of a reunion since then, flatly telling one interviewer in 1997 "I'm saying never and you can count on that."[3] Easton and Hawkes, however, joined with Todd Rundgren in 2005 to form a spin-off band, The New Cars, which performs classic Cars and Rundgren songs alongside new material.
] History
[edit] Early years
Before The Cars, the members of the band began coming together in several early forms. Ric Ocasek and Benjamin Orr were the first to meet, at a party in Columbus, Ohio, and they began performing as a duo, covering rock and roll classics as well as performing their own material. After deciding that Boston would be a better place to break into the music business, Ocasek and Orr relocated there. It was there that they met Greg Hawkes, who had studied at the Berklee School of Music, and the three, along with lead guitarist Jas Goodkind, combined to form a folk band called Milkwood. They released an album titled How's the Weather on the Paramount label in 1973 that failed to chart.
After Milkwood, Ocasek and Orr formed the group Richard and the Rabbits (with drummer Thomas Tapley), whose name was suggested by Jonathan Richman. They were a local club band for a while. Soon after, Hawkes temporarily left Ocasek and Orr and joined up with groups including Orphan, a soft-rock band, and Martin Mull and His Fabulous Furniture, a musical comedy act in which he played a variety of instruments. Ric Ocasek and Ben Orr then performed as an acoustic duo called simply Ocasek and Orr at the Idler coffeehouse in Cambridge. Some of the songs they played became the underlying music in early Cars songs.
Later, Ocasek and Orr teamed up with future Cars guitarist Elliot Easton (who had also studied at Berklee) in the band Cap'n Swing. Cap'n Swing also featured drummer Kevin Robichaud and a jazzy bass player, which clashed with Ocasek's more rock and roll leanings. Benjamin Orr acted as frontman, did not play an instrument, and sang the bulk of Cap'n Swing's demos. Ocasek soon got rid of the bass player, the keyboardist, and the drummer and decided to form a band that better fit his style of writing. Kevin Robichaud was replaced by David Robinson. Robinson said that he should really have a regular job instead, and that the Cars would be his last band. Best known for his career with the Modern Lovers, Robinson had also played in DMZ and the Pop! It was Robinson who came up with the name "The Cars," which led to automobile-related puns. Ocasek said of the name, "It's so easy to spell; it doesn't have a 'z' on the end; it's real authentic. It's pop art, in a sense."
[edit] Peak years
The band spent the winter of 1976–77 playing throughout New England, developing, honing, and ultimately perfecting the songs that would become their debut album. They shortly thereafter caught the attention of Maxanne Sartori, a local DJ on the Boston radio station WBCN, who began playing their demo of "Just What I Needed". By virtue of that airplay, the band was signed to Elektra Records. "Just What I Needed" would turn out to be the first single from the band's debut album, The Cars, released in 1978 and reaching #18 on the Billboard 200. "My Best Friend's Girl" and "Good Times Roll" soon followed, charting on the Billboard Hot 100. The band commissioned famed Playboy artist Alberto Vargas to design the sexy illustration for the cover of their second album, Candy-O, released in 1979. Hits from that album included "Let's Go", "It's All I Can Do" and "Dangerous Type."
A more experimental album, Panorama, was released in 1980, charting only one Top 40 hit with "Touch and Go". Rolling Stone described the album as "an out-and-out drag". In 1981, the Cars purchased Intermedia Studios in Boston, renaming it Syncro Sound.[4] The only Cars album recorded there was Shake It Up. It was their first album to spawn a top 10 single with the title track, and had another hit in "Since You're Gone". Following their 1982 tour, the Cars took a short break and went to work on solo projects, with Ocasek and Hawkes both releasing their debut albums (Beatitude and Niagara Falls, respectively).
The Cars re-united and released their most successful album, Heartbeat City, in 1984. The first single, "You Might Think", helped The Cars win Video of the Year at the first MTV Video Music Awards. Other hit singles from the album included "Magic", "Hello Again", and "Why Can't I Have You". Their most successful single, "Drive", gained particular notability when it was used in a video of the Ethiopian famine prepared by the Canadian Broadcasting Corporation and introduced by David Bowie at the 1985 Live Aid concert at Wembley Stadium in London.[1]
The Cars performing at Live Aid.
[edit] Break-up and solo careers
After the resulting period of superstardom and another hit single, "Tonight She Comes", a #7 hit on the Billboard Hot 100 and a #1 hit on the Billboard Mainstream Rock Tracks chart (their last #1), from their Greatest Hits, the Cars took time off again to pursue solo projects. Easton and Orr released their debut albums (Change No Change and The Lace, respectively), while Ocasek released his second solo album, This Side of Paradise. In 1987, the Cars released their last album, Door to Door. It contained their last major international hit, "You Are the Girl", but the album failed to approach the success of their previous albums. They announced the group's breakup in February 1988.[1]
In the late 1990s, rumors circulated of a Cars reunion, with no results. However, in 1995 Rhino Records released a 2-CD set Just What I Needed: The Cars Anthology, containing all the group's hits mixed with rarities (demos, non-album b-sides). They followed up with the releases of The Cars: Deluxe Edition (1999), their debut album in 2-CD format, and Complete Greatest Hits.
Ocasek continues to perform as a solo artist, having released over seven studio albums. Robinson has retired from music and spends most of his time with his restaurant. In 2005, Easton and Hawkes combined their talents with Todd Rundgren, Prairie Prince (The Tubes, Utopia), and Kasim Sulton (Utopia, Meat Loaf) in a revamped lineup, The New Cars, to perform classic Cars songs along with selections from Rundgren's solo work and some new original material. Sometime in the mid 1990s, Orr recorded tracks with guitarist John Kalishes for an unreleased follow-up to The Lace. From 1998 until his death in October 2000, he performed with three bands, including his own band "ORR", The Voices of Classic Rock, and Big People.
In 2008, the band's first album was released for the video game, Rock Band.[5]
[edit] Band members
- Ric Ocasek - rhythm guitar, lead and background vocals
- Benjamin Orr - bass guitar, lead and background vocals
- Elliot Easton - lead guitar, background vocals.
- Greg Hawkes - keyboards, synthesizer, percussion, saxophone, background vocals
- David Robinson - drums, percussion, background vocal
[edit] Discography
Main article: The Cars discography
- The Cars (1978)
- Candy-O (1979)
- Panorama (1980)
- Shake It Up (1981)
- Heartbeat City (1984)
- Door to Door (1987)[1]
[edit] References
- ^ a b c d Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 154-155. ISBN 1-84195-017-3.
- ^ Palmer, Robert. "Pop: Cars Merge Styles" The New York Times August 9, 1978: C17
- ^ "Life after the Cars" The Cincinnati Post October 11, 1997: 16A
- ^ Morse, Steve. "Boston's Music Scene: A Hotbed of Rock and Roll" Boston Globe June 5, 1981
- ^ Linde, Aaron (May 20, 2008). "Cars' Self-Titled Album Hits Rock Band Next Week". Shacknews.com. http://www.shacknews.com/onearticle.x/52772. Retrieved 2010-04-27.
[edit] External links
Greg Hawkes 2 hour interview on RundgrenRadio.com